Gillian Anderson American Gods Season 1 Performance

Performer of the Week: Gillian Anderson

THE PERFORMER | Gillian Anderson

THE SHOW | American Gods

THE EPISODE |Come to Jesus (June 18)

THE PERFORMANCE | Is there anything that livens up an American Gods scene more than the captivating, off-kilter addition of Gillian Anderson’s Media? We think not, especially given the X-Files alum’s highly entertaining performance in Sunday’s Season 1 finale.

When Media showed up as Judy Garland in her Easter Parade attire, all doe-eyed and delicate, Anderson was the picture of turn-of-the-century femininity. And we marveled, in part because she so thoroughly wrapped the New God in this old-school persona and in part because Anderson-as-Media-as-Garland was Ziggy Stardust light years away from the guises we’d seen her adopt before.

Remember, for a moment, how the actress glided about Easter’s patio in the finale, dancing with Technical Boy’s faceless Fred Astaires. Juxtapose that with Anderson’s knowing, slick take on David Bowie in the back of the limo in Episode 5… or with her cooing sexpot take on Marily Monroe at the police station… or with her bawdy, black-and-white rendition of I Love Lucy‘s Lucille Ball at the beginning of the season. Anderson has a Tatiana Maslany-like ability to disappear within a character within a character. And after years in quiet, buttoned-down roles like The X-Files‘ Dana or Hannibal‘s Bedeila, it’s refreshingly fun to watch her cut loose a little.

In other words: You’ve come a long way, Scully.

HONORABLE MENTION
| To earn an Honorable Mention for a single scene, an actor has to be not just good, not just great but off-the-rails, you’ve-gotta-be-kidding-me amazing — like Peter MacNicol was in Veep’s “A Woman First.” Had we not witnessed his performance — a depiction of vulgar malice so stunning, it might well have given our souls cancer — we would’ve thought anyone describing it had to exaggerating. But, as Uncle Jeff revealed that, in the wake of Jonah’s failed government shutdown, the “epileptic Picasso painting” was being replaced on the New Hampshire congressional ballot, MacNicol did indeed demonstrate a superhuman level of viciousness. In fact, just when we thought it couldn’t get any uglier, or funnier, Jeff overheard Shawnee dumping her fiancé, and, his character overcome by schadenfreude, MacNicol howled — quite literally howled — with cruel laughter. “I’m so glad I came in person and didn’t call,” Jeff said between outbursts. So are we.

HONORABLE MENTION | As anxious as Animal Kingdom’s Deran was about the opening of The Drop, not to mention informing domineering mother Smurf that he’d bought a bar on his own, it was only a matter of time before the ticking time bomb went off. Yet there was nothing predictable about Jake Weary’s performance, a Molotov cocktail of outrage and bitterness hurled onto a lifetime of hurt. When Smurf not only revealed that she knew about Deran’s secret venture but stole the spotlight on his big night, Weary unpacked years of debilitating baggage as his character first came out to Mommie Dearest, then accused her of never having loved him because, unlike her other boys, he didn’t — couldn’t — want to f— her. By the time he stalked away from the shockingly honest confrontation, his portrayer had given us the sense that, whether Deran was relieved, he might at last have been released.

The Originals Season 4 FinaleHONORABLE MENTION | The Originals’ fourth season was one of its strongest yet, thanks in large part to the newest, youngest addition to the cast: Summer Fontana as Hope Mikaelson — unquestionably one of the most talented child actresses on television today. And never were Fontana’s diverse talents better displayed than in Friday’s finale, which found Hope shifting from her most powerful state to her most vulnerable. (If your heart didn’t break into tiny pieces when she screamed for her father after that final battle, you might want to consider therapy.) With a time jump on the horizon, it’s possible we’ve seen the last of Fontana’s take on this spellbinding character, but if there’s any justice in the (entertainment) world, she’ll get to work her magic somewhere else very soon.

Which performance knocked your socks off this week? Tell us in Comments!

Comments are monitored, so don’t go off topic, don’t frakkin’ curse and don’t bore us with how much your coworker’s sister-in-law makes per hour. Talk smart about TV!

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19 Comments
  1. Leonie1988 says:

    Well deserved! She lights up every screen!

  2. AJ says:

    I would also add Laura Dern in Twin Peaks to this list

  3. Shaun says:

    Good choices I think.

  4. LAwoman says:

    Gillian Anderson is everything. And MacNicol was hilarious! I had to re-watch that scene a couple of times.

  5. Guest says:

    What about Michael McKean?…he was absolutely brilliant this week!

  6. Whoever did Gillian Anderson’s wigs for American Gods should be hired to work on The X-Files. Her last X-Files wig was horrible.

    • Shaun says:

      pretty sure that is her hair,maybe with extensions if too short.

      • Lynn says:

        I don’t think it’s her hair, her hair is naturally blond and she can’t dye it anymore because of all those years dying it Red for the X-Files has damaged her hair. She was going to dye it for the X-Files revival last year but her hair started falling out which is why she had to have that horrible wig. This time they have more time, they should know they can’t dye it so hopefully they’ll have a better wig for the next season of X-Files.

        • dan says:

          That’s some good research! Thanks for the thorough comment.

          It’s annoying how bad so many television wigs are.

      • She has blond hair now, doesn’t she? She didn’t want to dye it for The X-Files because it might be too damaging.

  7. Sophie Holbrook says:

    Urrm I think her role in The Fall recently “broke loose” any buttoned down performance. Strong, intelligent, a leader and sexy, she was great!

  8. Sturidge says:

    Gillian Anderson has been playing the exact same stiff character for years now. Be it in American Gods, or the Fall, or Hannibal…she is like the female Benedict Cumberbatch of typecasting

  9. Me 86 says:

    Gillian really is extremely talented. I recognized it back in the day during the x-files. I don’t think the general public realizes the scope & magnitude of her talent… yet :) … but I’m happy they are starting to. Her work as Media was really amazing. It showed off some of her incredible range. Imagine the challenge of taking on not one iconic character, but many of them…all while being someone else who is being them. That was poorly put, but you know what I mean. I smell an Emmy :) I just know more intriguing opportunities are lining up for her right now.
    Also, I Love that Bryan Fuller recognized what she could do and gave her the opportunity. A true gentleman who always supports her. I deeply respect him.

  10. Me 86 says:

    Also I cannot wait until Gillian Anderson lights up tv screen again as the iconic Agent Scully with her partner in crime David Duchovny. When those two are together they have a chemistry that could light up the darkest skies. They turned what was supposed to be a sci fi show into the greatest love story ever. I’m hooked on whatever the hell they have between them.

  11. Sarah says:

    Gillian Anderson has been fan-freaking-tastic this season, but the finale is a weird episode to choose as her best. She had very little actual screen time. Gillian Anderson should have won for her David Bowie and Marilyn Monroe episode. This was arguably Kristin Chenoweth’s episode.

  12. alycemichel Staples says:

    I’m late to the party but I loved Gillian. But this scene belonged to Kristian! The ONLY thing that could’ve made it better is her singing spring away! I love this show as much as Penny Dredful.same wonder and mystery!