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Need to catch up? Check out the previous Outlander recap here.
Outlander‘s Brianna and Roger each make questionable choices for good reasons in this week’s episode. But when the haggis hits the fan, will their right-headed intentions matter? (Spoiler alert: They probably willna.)
Meanwhile, in Wilmington, Fergus has decided that it’s time to break Murtagh out of jail — and you might be surprised to hear Marsali’s thoughts on the matter. We’ve got a lot of story to cover in the lead-up to the finale, so let’s get right to it: Read on for the highlights of “Providence.”
ROGER MAKES A FRIEND | Roger is still walking down the Mohawk path of pain at the start of the episode, and when a blow lands particularly well, he goes down yelling. Eventually, one of the men stops the beating, but informs Roger that he is a captive in the camp. Later, we watch Roger get ordered around by a stern, female member of the tribe, but not everyone is so angry at him. Another, younger woman holding a baby approaches and asks if he speaks French. He enthusiastically says “Oui,” and she hands him a fistful of herbs to chew for the pain in his torn-up arm. A desperate Roger asks for help escaping the camp, but before anything can happen, the Mohawk man wearing the red coat approaches. We learn that his name is Kaheroton, her name is Joniehon, and that he is not a fan of Roger speaking with her — likely because Kaheroton seems kinda sweet on the young mother.
After the trio’s terse interaction, Roger is thrown into a darkened hut. He lands on his bad arm, then sits up and chews the herbs, probably mentally bemoaning his fate. He’s shocked to hear a soft voice say, “Bonjour” behind him. The tribe’s other prisoner is a Catholic priest named Father Alexandre Ferigault. “You’re the man they have christened ‘dogface,'” he tells Roger in English, adding that they’re in a village called Shadow Lake in New York. At that, Roger just about loses it, doing a mix of hysterical crying-laughing, because he walked far.
‘LOOK OUT FOR NUMBER 1’ | As the men talk, Father Alexandre’s story comes out. He arrived at the camp years ago with the intention of converting some of the Mohawk to Catholicism, and he was successful. He lived with the tribe for a while but then became very ill; he wound up falling in love with one of the tribeswomen who cared for him. “Then, after I recovered, there was sin,” he says quietly — which is perhaps the least sexy way consensual sex has ever been described on this show. Anyway, the woman got pregnant and the Mohawk were fine with the whole shebang… provided Alexandre baptize his child. And there’s the rub.
“I have broken faith with my God and my calling. I know that I am damned. I will not also damn this child with the false blessing of a fallen priest,” he tells Roger, who encourages him to just drip some water on the baby’s head and mutter something in Latin, because the Mohawk won’t be any wiser. But the man of God refuses. He’s later stripped naked and removed from the hut; when he returns, he’s saintlike… in that he’s missing his ear and, like George Weasley, is now holey.
Once the priest has recovered enough to speak, he tells Roger that he once more refused to baptize his child. If he doesn’t change his mind by morning, he adds, the Mohawk will set his feet on fire and keep burning him that way until he dies. Still, Alexandre is steadfast in his decision, saying that the death will be punishment for his sin.
Roger, on the other hand, thinks that is ridiculous, and says so. Loudly. And often. “You know how you can say you’re an idiot? Because I’ve been an idiot myself,” he begins, launching into the story of how he pursued Bree “through time and space” and wound up eschewing a trip through the stones — though he’s not very detailed about that part, obviously — in order to try to find her.
Roger understands Ferigault’s feelings, he adds, “but the difference is: I’ve learned something from my pain. I’ve changed… Look out for Number 1. From now on, that’s me.” Perhaps because the priest has not encountered many badasses in his life thus far, he buys into Roger’s idea that he is one. So the two work all night, digging a hole that can help them escape.
IDIOT HUT, PARTY OF 1 | In the morning, the hole still isn’t big enough, so Alexandre allows the Mohawk to take him and orders Roger to keep digging after he’s gone. And Rog does, wriggling out of his prison as the priest screams in the distance. He starts running away, talking to himself all the while, trying to convince himself not to go back. “For once in your stupid, idiotic life, be smart,” he mutters, then yells “Aw, f—king hell” as he turns and heads back to camp.
Indeed, Alexandre is lashed to a post, his feet in a fire, as the tribe watches. Joniehon, who clearly is the mother of the holy man’s child, cries. So Roger runs in and throws a barrel of spirits into the fire, creating a blaze that will put the priest out of his misery far faster than the Mohawk’s preferred method. Then everything REALLY goes to hell. Kaheroton tackles Roger as the men of the tribe rush to jump into the fight. An unnoticed Joniehon kisses her baby, puts it down, and then steps into the fire, embracing Alexandre’s burning corpse as the flames engulf her, as well.
Kaheroton watches, gape-mouthed, then picks up the baby and cradles it as he cries and the doomed parents die. And Roger, who WAS FREE for a hot minute, is marched back to the “idiot hut.” (Side note: Thank GOD there was no audio for that section.) (Another side note: In the book, this sequence of events happens while Jamie and Claire are in the camp. When I was re-reading the novel recently, I wondered how on Earth the show was going to convey everything that happens at the same time. Handling this matter on its own was probably a smarter move.)
BREE MAKES A REQUEST | Back at River Run, Lord John brings Brianna news of Bonnet’s arrest. “He is condemned, and will hang next week,” he informs her. “I thought you would want to know.” Heck yeah she does — and she wants to go see him, too. Grey looks at her like that’s the worst idea in the world (because it kinda is), but she hands him Jamie’s letter by way of explanation. Jamie’s voiceover tells Bree that “you must find the grace to forgive” and that her rapist likely will die sooner rather than later, because he’s a giant eff-up with a violent streak, plus KARMA, but that she shouldn’t be the one to kill him because she’ll never be the same after. “Forgiveness won’t change what happened, but it can change what will be,” Brianna tells LJG. “Very well,” he says, resigned to helping her. Just then, the baby kicks, and Grey asks if he can feel it. He puts his hand on her belly and looks up, delighted. “My god, he’s real!” he says. “Yes, I know,” Bree answers.
Unbeknownst to both of them, in Wilmington, Marsali figures out that Fergus and some of the Regulators are hatching a plan to bust Murtagh out of the pokey. And she’s on board, going as far as to bring up how Claire risked her life to save Jamie when he was in Wentworth. “They’d find a way, and we will, too,” she says — because oh yeah, she wants in on the plan, as well. Fergus posits that maybe it’s time for them to relocate permanently to Fraser’s Ridge. “I’ll find us a wagon and start packing our belongings,” she says, not missing a beat. (Side note: When did Marsali become one of my favorite characters?!)
FREE MURTAGH! | Bree is nervous before going into the jail to see Bonnet. She’d be a lot more nervous if she knew her brother were laying down fat lines of gunpowder long the building’s perimeter, but I digress. Grey balks when Brianna wants to face her attacker alone, but she points out that he’s chained to the wall, so “he can’t hurt me.”
When she’s in front of Bonnet, Brianna tells him her name as well as who her parents are. “They saved your life, and you robbed them,” she adds. “Yes,” he says, unrepentant, goading her a bit. She’s a little unnerved but she shows him her belly and says what she’s there to say: “You are going to die. To hang by the neck until you’re dead. And if it if makes dying easier for you, to know there’s something of you left on this Earth, then you’re welcome to the knowledge.” He notes that he won’t be forgotten, and she sharply corrects him, saying, “My baby will never know your name, will never know you existed.”
Before she leaves, he digs into his mouth and pulls out something — a gemstone — “for his maintenance.” And then things go kerfluey before they go kablam.
Fergus and the Regulators show up, knocking out a guard and holding Grey captive. Grey recognizes Fergus and they have an awkward conversation that ends with Ferg telling his men not to hurt LJG but not to let him leave, because “his allegiance is to Governor Tryon.” Fergus frees Murtagh and runs into Brianna, but Fergus is like, “No time to waste! The gunpowder has been lit!” They all flee, leaving Bonnet to die in the explosion that will serve as a diversion while they get away. But at the last moment, the blonde prisoner gets a hold of the keys to his chains, which were dropped conveniently close to his cell in the chaos. Did he make it out? The episode leaves it up in the air. (Side note: This is the scene I referred to in this week’s Ask Ausiello as being simplified from the book’s version, and better for it.) (Another side note: If you’d like to dive into the “Is Bonnet worse than Black Jack?” conversation, check this out.)
Fergus, Murtagh and the men dive under the cover of Marsali’s carriage, and she makes a verra fine wheelwoman indeed as she drives them out of town. A Redcoat stops Bree and Grey to ask if the Regulators gave any clue about where they were heading. And even though Grey knows full well the escapees are heading to Fraser’s Ridge, he outright lies to the soldier in order to help Murtagh. Aw, Lord John! What Bree says earlier in the episode is true: You are impossible not to like.
Now it’s your turn. What did you think of the episode? Hit the comments!
“…he digs into his mouth and pulls out something — from the book, I know it’s a gemstone, though it’s not clear on the show…” They clearly show he removed something from his mouth
and handed it to her. Then a 4-5 second shot of red ruby in her gloved hand.
Yeah it was clearly shown as a gemstone.
I missed that — thanks! Amended! — KR
Richard Rankin was outstanding in this episode.
Agreed!!
Yep…that was one heartbreaking scene.
I’ve always enjoyed Marsali as a book character and I love seeing her fleshed out more on the show. I seriously don’t know how they plan on fitting in the rest of book 4 to one episode 🤔.
They did an admirable job of condensing a whole lotta stuff that was in the book. I agree with you that dealing with what happens to Father Ferigault and Joniehon the way they did was a good adaptation of the material. So powerful. The part about Bree and Lord John confronting prisoner Stephen Bonnet was presented well here, too, since the subplot about the shady dealings with naval stores hasn’t been included in the series (yet–it may show up in some form in a future season). There’s a lot to get through in the finale, but I think they’ll get to a satisfying conclusion. And then . . . sigh . . . Droughtlander again.
I’m concerned we will not see everything remaining in the book in the finale. There is ALOT to cover. Finding Roger, Roger returning, the baby being delivered……this scene had better contain ALL characters who are there in the book……Bree reconciling with Jamie…… I feel like something with be rushed, altered, or ignored.
I don’t expect to see Claire using maggots to clean out a wound ;-) Seriously, there’s a lot of stuff at the end about the gathering and after the return to Fraser’s Ridge that won’t be shown. They seem to be showing the essential parts of the story, though.
Yeah I know, but the maggot scene would be really cool from a medical standpoint……and they’ve shown scenes like that before (Claire drilling into some minor character’s skull just to show the cool old medical tool)….and because it’s a start to the reconciliation between Roger and Bree. I’d like to see it but I don’t expect we will. Hell I’m worried we won’t see Bree give birth with Jamie there which is a big bonding moment between the two of them.
Agreed. Only one episode to wrap everything up from Roger’s rescue in New York to the baby being delivered in South Carolina.
North Carolina
Amazing job with so much material. I’m really feeling Richard Rankin as Roger.
As someone who hasn’t read the books–Claire had almost nothing to do this season, eh? Wonder if Cat’s pissed.
Umm…..she flirted with some wealthy men to sell a gemstone in Wilmington; helped Jamie sneak Stephen Bonnet away; got violently robbed; fought with Jocasta about slavery; saved a slave only to give him a compassionate death; discovered the bones of another time traveler; helped Jamie build a home on Fraser’s Ridge; befriended a Native American healer; helped deliver a baby and tried to keep peace between the crazy grandfather and the Cherokee; defended herself from the crazy, murdering grandfather; saved Lord John Grey’s life; met George Washington; performed surgery to repair a hernia in front of Govenor Tyron while Jamie saved Murtagh; treated a sick Lizzie; helped Bree with her heartbreak over Roger; got Bree to tell her about the rape; discovered that Bonnet was the rapist; chose not tell her husband and Bree’s father about the handfasting, consummation, nor Bonnet which has greatly contributed to the crap Roger is in now; and is now riding to New York with Jamie and Ian to rescue Roger. I think Claire’s done plenty. And Cait and Sam probably enjoy the break of not needing to be on set every day as they have for the last three seasons.
Yeah, and compare that to other seasons, and it’s “almost nothing.” This season has certainly not been focused on her, and you can’t say it has. She’s background to the main plots.
No it has not been focused on her and I am ok with that. This show is not solely about Claire. Book 4 was not all about Claire either. They have given her enough screen time given that the show is also about Jamie, Bree, Roger, Murtagh, Fergus, Marsali, Ian, Jocasta, Lizzie, Lord John Grey, William, Stephen Bonnet, and the social & political times of North Carolina in the 1760s.
The show is about Jaimie and Claire’s love story through time, everyone else is secondary plot, a Roger and Bree centric episode with plot lines that in the overall scheme of things don’t really push the story lines along, makes this episode feel like a filler and biding time till the finale arrives. And as far as Bree goes, why would you let Bonnet know that the kid was his, (no mention of Roger possibly being the father) all you’ve really done is given him a reason to come back into the story at some stage in the future, if he almost inevitably escapes somehow from the gaol explosion. Just another dumb decision by Bree.
Rykel…..I believe Diana has said in interviews that the books are about Jamie, as told by Claire. I would agree with that regarding books 1 & 2. But from books 3 and forward, they are about Jamie and Claire and their family in my opinion. From a show standpoint, I would say the first two seasons were primarily about Jamie and Claire and their relationship. But from season 3 and on, I feel the story moves more toward the books in that it’s about them and their family. To me the family are a bit more than secondary characters, however, from a show standpoint, secondary or not, these characters will remain throughout the run of the show. Therefore they must be fleshed out and given growth (something that didn’t really happen with adult Fergus in season 3). I think this season required a couple of episodes where Jamie & Claire were absent because so much new world had to be established, new characters had to be established, and so much happens to Bree and Roger it had to be given enough time to have depth, meaning, and understanding. Now maybe Starz and the eps should consider expanding the seasons past 13 episodes to avoid this in the future. They have a bigger cast, so it is justifiable and feasible.
Regarding Bree telling Bonnet about the baby, I didn’t understand that in the book either. In the book, she seems to believe he’s the father as well. If it were me, I’d be clinging to the idea that the baby is Roger’s. But she tells Bonnet about the baby and I thought it was a dumb decision in the book too. LOL
Oh, she flirted to sell a gemstone? Truly, a noteworthy accomplishment lol.
Cat has earned every one of her GG/Emmy nominations, but sadly this was a season when the writers didn’t give her or Sam the material they deserved, and Sophie Skelton is not even close to a worthy filler.
I didn’t say the flirting to sell a gemstone scene was award worthy, just pointing out that she was given screen time within the time constraints set by the number of eps and size/scope of the story. I agree about Sam not being given alot of strong material this season. Cait was given some. I think this season would have been a good candidate for expanding the episode count given the size/scope of the material and larger cast.
These books are a saga and as they go on the focus is going to shift to other people and developments. Frasers Ridge is expanding so more people need their stories to be told. It can’t always be about just Jamie and Claire. Personally, I have really enjoyed this season even more than I thought I would. And while I was a little skeptical of Richard Rankin and Sophie being able to portray these characters fully, I have been pleasantly surprised by both.
Richard Rankin, despise his character though I may, is doing wonderful work with his material. Roger’s actions and attitudes have endeared the actor to me but by no means the character. Sophie Skelton is not only incapable of emoting in an American accent, but maintains the exact same facial expression regardless of whatever emotion she’s meant to be experiencing. I find her remarkably dull in this role. Never seen her in anything else so can’t say if this is her style.
Maybe you should read the books. It would give you a better understanding and you would not be so disappointed.
I haven’t read the books. I honestly thought Roger was going to volunteer to baptize the baby just as he suggested Father Alexandre do – by pouring some water on his head and muttering some Latin phrases.
Also, I got a little scared at the end that the Native American in the red coat was going to harm the baby or toss him into the fire too.
In the book, Roger baptizes the baby in the Presbyterian way that he knows from being raised by a minister. The tribe finds this satisfactory. I remember it as a rather touching scene.
Whomever is responsible for how the Mohawk are being portrayed here (source material, show runners, whatever) is not doing themselves any favors. I don’t know what the payoff is here, but “baby orphaned after dad is burned alive in a more compassionate way than usual, and mom suicides herself with him” is a pretty crap way to get there.
And no J&C? This is where a 13 episode order is just too rude.
Unlike most of you, I have been extremely disappointed in this season’s episodes! Brianna is not the focus on the 4th book, but you would not know it watching this season. Tonight’s episode crossed the line for me however when they used the music from the final moments of the epic movie Platoon, which depicted the devastating results of a battle in the Vietnam war.
I love these books, and the first 3 seasons of this show, but I am appalled that they would use this particular music to describe a scene that is not only fictional, but can not compare to the devastation of the Vietnam War.
Each week I hoped this season would improve, but obviously, it is a total bust! What a dissapointment!
While that music may be well known for being in Platoon, it was written, like, 90 years ago and has its own storied fanbase separate from one film.Also, Platoon was fiction although there happened to be a war with Vietnam which is no different than Outlander having some historical accuracies yet is fiction.
Starting to feel the same way at this point, way to much boring Roger and Bree.
Even just Roger is better than Bree a lone. Skelton woefully miscast. And the producers have the nerve to wring their hands and blame Bree’s character as written to be “unlikeable.” This would be no problem if Skelton had skills.
Adagio for Strings has been used in a lot of films and TV— it isn’t the exclusive property of Platoon. Seinfeld used it. So did the Simpsons. And South Park. Here’s a partial list.
https://theironcupcake.wordpress.com/2012/05/30/overkill-using-adagio-for-strings-in-movies-and-tv/
I too have been disappointed by this season. I am presently reading, In my own hearts blood. There has been so much Social Justice warrior going on ,I didnt recognize the story I read. Too little about Jamie and Claire. Way too much about Bree (I never warmed up to her in the books) and have NO idea why she tells Bonnet about the baby
Idiot! Let’s hope next season is better
I AGREE
“Adagio for Strings” has been used in multiple movies and tv shows, including The Simpons, SouthPark, ER and The Elephant Man just to name a few. It was also performed at Princess Diana’s Funeral as well as JFKs. Perhaps this knowledge will ease your need to be appalled over a beautiful, well known piece of music.
That music has always moved me to tears and I felt it was a perfect choice for that scene.
The music was used IN Platoon, but it wasn’t written FOR Platoon. It’s “Adagio for Strings,” by Samuel Barber, the second movement from his String Quartet, Opus 11. It was first performed on November 5, 1938, by Arturo Toscanini conducting the NBC Symphony Orchestra.
I’ve never seen Platoon & don’t care to either. Platoon doesn’t own the rights to the song. I thought it was beautiful for the scene.
What is the woman’s name who played the Native American mother with the baby who
Perished in the fire at Shadow Lake?
I didn’t see any credits that mentioned
Her.
Also, just wanted to say, best series I’ve
Ever watched!
I so agree with the use of the Platoon theme song. I also have an adversion to recycling songs – it’s been used before in an Academy Awards (many!) winning movie and there are millions of sad melodies out there ..why this one? I’ve also been dissapointed with Season 3 – the writing hasn’t been the greatest and Bree needs acting lessons. Lastly – I’ve never seen so many model perfect Native Americans…not that I’m complaining but my family and friends certainly don’t look like that. Too bad
Wow. That was gripping. Was this the first episode where Jamie and Claire weren’t featured? Anyway, I was screaming at my t.v. when Bonnet was reaching for the keys. It’s obvious he got out alive. Ugh.
Oh nvm. We saw Jamie and Claire when John was reading the letter.
I haven’t watched this season yet and haven’t read any of the article just needed to stop in and complain about the title of this article spoiling a pretty big event. Just scrolling down the main home page and you’ve messed up the season for me. Cheers(!)
Get over yourself. The rape episode aired weeks ago. If they put that in an article headline the next day, that’s a spoiler. If you’ve not started watching a season currently airing its penultimate episode, that’s on you.
Oh wah…your fault! Stay off the internet if you haven’t watched it.
1. Lord John is my favorite character after Claire and Jamie (and sometimes ahead of Claire and/or Jamie).
2. Spearing of C&J, I didn’t miss them in this episode, surprisingly.
3. There’s still A LOT to cover in the last ep. I pray they’ve changed Young Ian’s storyline but I’m not holding my breath.
This was a pretty good episode with strong performances from all cast involved. But personally that particular ending scene with Johiehon was the most poignant scene along with Bree’s meeting with Bonnet. The actress who played Johiehon stole the whole episode for me. I still can’t get that out of my mind. I love all the scenes with Fergus and Marsali. They really grew on me. The writers did good with the character development on these two. And as a couple they are really cute and believable. My problem with this episode (rather this whole season) is that I still can’t get myself to root for Roger and Roger and Bree as a couple. No matter how they declare their great love for each other. I still can’t buy it. As a non-book reader it is as if the show is forcing me to believe their love for each other. I don’t think the show has given me enough for me to get invested in their “great” love story. One day they met then suddenly they just fall deeply in love with each other. I don’t even know when did they start to fall in love. And the actors’ zero-chemistry doesn’t help at all. (I do wonder if they did a chemistry test for Richard and Sophie. They both are really good actors on their own. It is just that I don’t see any chemistry between them.) Bree even has more chemistry with LJG than Roger. I would actually love to see more Fersali than Roger and Bree. But, let see. Depends on how they will develop on season 5. They might grow on me too. The finale looks amazing though! And yay for Jamie and Claire! I kinda missed them!
I agree with you that the actress who played the squaw was excellent, but her features bothered me in that she looks as though she has had plastic surgery. The lips and nose seemed too Hollywood fake, and not natural. I am sure she has altered her appearance to get roles, but to play a Native American in the 1700s it didn’t look right.
Note: my sincere apologies if that is her natural face:)
Your note at the end made me laugh thought it was funny my apologies also if anyone is offended.
Squaw? Really?
At last someone has said it. Roger and Bree has no chemistry at all! I agree. 100%. And, yes, Bree has more chemistry with Lord John Grey! Truth be be told, I was delighted that they broke up initially and was hoping it would be final but alas, it wasn’t to be. As for the chemistry between Claire and Jamie, they are perfect!
For those in the modern world with little faith or understanding of sacrifice – the triple whammy at the end seems to have little impact. But the Priest, Roger and the Squaw were all willing to do what was right according to their faith. The screams turned to silent screams – while Roger having told himself to not go back and look after himself first, the Adagio – playing and the drama moving in an inevitable conclusion with Roger going back throwing oil on the fire to put the poor priest out of his misery – then the topper the Squaw placing their baby down, joining the priest in the conflagration. Some of us cried like babies. Others went back to texting and living in this godless immoral world.
WOW godless and immoral world that’s dark.
Claire told Bree if she didn’t go back soon she’d have to stay…so i guesshe stays if the baby’s born there according to what I’m reading here. Didn’t finish the books found them too long and boring.
For those of you who did not like Barber’s Adagio during that amazing last scene, I can only say, just go back to your video games and text messages. This music has been used a number of times- including in the original Rollerball with John Housemen and james kahn… the scene was extraordinary not just Platoon…and for some of us this scene was a religious experience. For those of you who didn’t experience the effect…go back to your video games and social media and please comment somewhere else.
What were the last words spoken in this week’s episode? I listened back a couple of times and still couldn’t understand it.
I believe it was “that’s it, lads. Take me back to the idiot hut.”
I was immediately impressed by actor Braeden Clarke who plays Mohawk tribe member Kaheroton. He has a presence about him that stands out.
He absolutely does! I hope we see more of him next season!