Glee Recap: The Dark Night Rises [Updated]

Glee Recap Season 4 Lights OutThis week on Glee, McKinley High experienced a power outage, Sue tried to move on from her firing as head coach of the Cheerios, Ryder and Kitty revealed painful secrets and the NYADA pack (which now officially includes ¡Santana!) pitched in to help that fabulous editrix/fairy godmother with a charity event. (Glamour with a ‘u’ was on the menu, obvs.)

“Lights Out” contained quite possibly my favorite musical number of the season, but only the briefest glimpse of American Idol Season 11 runner-up Jessica Sanchez as Frida Romero, powerhouse vocalist for New Directions’ rivals at Regionals — the Hoosier Daddies. (That clip of her belting the National Anthem certainly should’ve had Schue trembling in his boots, though.)

If you spaced out wondering what happened to Blaine’s “Night Bird” alter ego — he’d been shown in preview photos for the episode, but must’ve been left on the editing-room floor — here’s what you missed on Glee:

UN-ELECTRIC YOUTH | A power outage at McKinley plunged the school into darkness — say what now, no windows? no generator? — and even prompted the use of candelabras (since when do adults trust teens around open flames?). New Directions used the event to spearhead an “unplugged” lesson — mostly because Sam felt like everyone spent too much time Tweeting on their phones and not enough getting to really know one another. Speaking of which…

CATFISHING EXPEDITION | Ryder continued communicating online with “Katie” because he felt comfortable opening up to her about his innermost secrets — and despite the fact that “she” refused to reveal her true identity. When Jake noted maybe Ryder needed to connect with some actual human faces, the hunky guy with the exceptional hair decided to unplug his feelings with an acoustic rendition of “Everybody Hurts.” What followed, though, was far more unexpected: A confession that he’d been molested by his teenage female babysitter when he was only 11. Artie and Sam reacted appallingly with a “Bro! Why be ashamed when you lived a fantasy?” response that’s altogether too common in female-on-male sexual abuse cases — and yet still felt a tad too unsubtle, given that Ryder used the word “molested” and was clearly filled with shame and embarrassment about the memory. (Anyone wish Schue had been a little more insistent in driving home the point that child sexual abuse is never, ever “cool,” despite whatever wrong-minded fantasy scenarios might pop up from time to time in movies and on TV?) Anyhow… Later, Kitty took Ryder for dinner and shared that she, too, had been molested by her best friend’s teen brother when she was in the sixth grade — and the subsequent fallout was so bad, she had to transfer schools. The next day, though, Ryder rebuffed Kitty’s lunch invite in order to stay online with “Katie,” prompting the mean-girl cheerleader to ask “How can you pick an online fantasy over an actual fantasy?”

GALA MY DREAMS | Kurt and Rachel confronted Santana about her work at a Coyote Ugly-esque bar and as a cage-dancer at a lesbian club, but the Lady Lopez retorted that she simply needed time to figure out her dreams. (She could’ve belted out Taylor Dayne’s “Don’t Rush Me” here. Just sayin’.) Those dreams came more into focus when Kurt (still interning at got assigned to be a celebrity wrangler for a New York City Ballet benefit that Isabelle (Sarah Jessica Parker) was hosting. (Can I pause here to add that I adore how Isabelle has been written as truly sweet and kind — with no secret agenda or viciousness? Sometimes you really do meet those kinds of mentors in life, and it’s refreshing to see SJP vividly executing one on the small screen.) A view from the wings — and a fantasy sequence about childhood ballet class — reignited Santana’s inner dancer, and she ended the hour signing up for a class at NYADA Extension! No need to quibble — it’s just a walk-in class for folks of all ages and skill sets — but the experience earned her  a message from her childhood ballerina self: “Don’t forget me again, okay?”

SUE 2.0 | Blaine sampled a class, too, Sue’s hardcore, writhing-centric aerobics lesson (where dirty things happen set to remixes of Steve Windwood’s “Valerie”). Blaine told Sue that McKinley — and especially the Cheerios — needed her back, what with Roz promoting rib removal among her tumblers. But after watching the girls practice from the bleachers, then fantasizing about killing them, Sue said there was no way she was coming back, even though we all know she doth protest too much. Finally, those preview scenes of Blaine and Sam interrogating Becky about Sue taking the fall for the school shooting? Well, they never aired. Instead, Roz dragged the insubordinate gal to Figgins’ office — and she enigmatically stated she’d just wanted a quiet moment with him where she could share… Well, we don’t know yet. That’s a cliffhanger…maybe for next week? I kinda hope she fesses up and we can move the story arc to it inevitable conclusion.

Sam and Ryder: The Righteous Brothers’ “You’ve Lost That Lovin’ Feeling” | Grade: B+

Ryder: R.E.M.’S “Everybody Hurts” | Grade: B+

Sue: “Little Girls” (from Annie) | Grade: B

New Directions: Queen’s “We Will Rock You” | Grade: B-

Rachel, Kurt, Santana and Isabelle: “At The Ballet” (from A Chorus Line) | GRADE: A+

New Directions: Billy Joel’s “For The Longest Time” | Grade: B+

“Maybe I don’t wanna be in Funny Girl or be a singing waiter at the Fire Island pancake shack.” –Santana, differentiating her life goals from those of Rachel and Kurt

“I’m doing what I do best: Dishing out top-tier abuse to trophy wives and self-hating single gals as a personal trainer.” –Sue, describing her new job

“Fact: If I hadn’t mistaken you for a butch Israeli gal, I would never have let you in here.” –Sue, spotting Blaine in her aerobics class

“The blackout occurred when a Mylar balloon congratulating my secretary Donna on her successful hysterectomy became trapped in an outlet behind a filing cabinet.” –Figgins, addressing the McKinley student body over the PA system

What was your favorite musical number from “Lights Out”? How did you feel about the various story arcs? Take our poll, then sound off in the comments!

Comments are monitored, so don’t go off topic, don’t frakkin’ curse and don’t bore us with how much your coworker’s sister-in-law makes per hour. Talk smart about TV!

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  1. karenb says:

    Blake Jenner!! Glee Project!! REM!! Whoo Hoo!!!

    • Jules says:

      This. What a great actor that kid is. Leaves the rat of them in the dust.

      • Jules says:

        *rest lol

        • Linn says:

          Yes -he’s definitely the best actor out of the new kids.

          • bland says:

            That isn’t saying much though.

          • Zayne says:

            It’s saying quite a bit considering pretty much all of new kids far outstrip most of the old guard left as regulars.

            Despite the acoustic stuff being really solid, this episode was mishandled in almost every way. The reaction to Ryder’s molestation was appalling and was never completely addressed. The transition from talk of more child molestation to Artie rolling over a water bottle into We Will Rock You makes zero sense. Little Girls was a pointless number. Despite liking A Chorus Line, At the Ballet went on WAAAAY too long and New York in general felt very tacked on. I’d rather that time had been spent dealing more with Ryder’s story.

            This episode was all over the place and one of my least favorites in a while.

          • Cheri says:

            He and Becca are the only ones of the new cast I like.

          • Cheri says:

            @Zayne, I didn’t care for the predictable PSA episode Glee always does. The storyline was offensive. Not resolved. Sam and Artie were way out of character to be the bad guys to say the wrong things. Those are usually reserved for Finn. I love those songs but not the performances. This was poorly written and edited. The episode was 1 of this season’s worst. Along the lines of Night of Neglect. So much rambling and nonsense mixed with serious story which was dropped. I could careless about watching Blaine exercising. Pointless and bad. Tired of all the closing musical numbers by the NDs in the auditorium. It seemed to have been written on a napkin and most things were after thoughts.

    • Rosema says:

      Speaking of the Glee Project! Please RIB! Such a great show. Love the format.

    • JLK says:

      I am actually tired of them trying so hard to make the audience care for this bland new character.

    • AJ says:

      I’m so over them shoving this guy down my throat.

    • Ruby says:

      He really is the best, and seems like a genuinely nice guy in real life as well. He impressed me so much on the Glee Project the way he treated the other kids, never any drama, just supportive of everyone all the way through. I’m glad he’s finally getting a chance to shine. This catfish storyline has MADE this season for me, and I’m a hardcore Rachel Berry/Lea Michele fan. I just think Blake is really, really special, and he’s FIRE onscreen.

    • achilles says:

      anybody else proud of him learning how to sing harmony now? on that loving feeling

  2. Desi says:

    The blatant emotional manipulation to get people to warm up to Blake Jenner’s character is disgusting and backfired. I’m not even going to bother whining about cut scenes because there are bigger fish to fry. That molestation stuff should have never been done, and now Ryder and Kitty will be a thing because they bonded over it? Disgusting.

    • Angie says:


    • BrokenDestinies says:

      You’re pretty ignorant. There’s nothing disgusting about bonding over similar experiences. They understand what the other went through. It’s called human nature. You bond with others who understand things you’ve been through. Like support groups where people bond over whatever it is they’re going through. Maybe you should grow up and think before you talk. I forgot this show attracts little teenagers who have a lot to learn in life though.

      • Desi says:

        I’m a therapist, you moron. There’s a difference between bonding in real life over similar experiences and having a show that pairs couples by race, disabilities, and common molestation experiences.

        • Nikki says:

          You’re a therapist ?! In what world ?!

        • BrokenDestinies says:

          You’re a therapist? Remind me to stay clear of therapists like you then. You’re the moron. People bond over similar struggles they’re going through whether it’s disabilities, abuse, etc. And by the way, IT’S A TV SHOW. Get over it. It’s not realistic but it’s a good distraction. I can’t stand people who sit there nit picking tv shows. I mean seriously when it comes down to it, who cares?

          • BrokenDestinies says:

            And for a therapist, calling someone a moron is pretty immature. Maybe you should go back to school and learn how to talk respectfully to others. Hope you don’t talk to your patients like that. Yikes.

          • Para says:


          • Eli says:

            You are so right BrokenDestinties, why should anyone care at all about tv shows. Don’t you just wish you could just gather up all those nitpicking negative nancies and just get rid of them? That would make society a lot better and pleasant right? Right…?

      • Libby says:

        +a billion

    • Donna says:

      What’s wrong with the whole molestation thing ??? Surely we’re not going to pretend that such a thing doesn’t occur. And glee is a great format to address all sorts of issues. Well, unless the topic doesn’t meet your approval.

      • kil says:

        What is wrong is they keep using these issue to try to get the audience to like the new kids. It is half ass and desperate.

        • +1. That is exactly my problem with it and I wish they’d cut it out. Even if using the “it’s just a TV show” argument, at best what they do is cheap storytelling (I’d barely call it storytelling though, nothing’s consistent about any of it). I wish they’d cut it out already.

      • Jason says:

        The problem is, Glee USED to be a show that was about high school kids and musical competitions / general singing. Over the past few seasons, the creators / writers have turned Glee into an hour long public service announcement about homosexuality, molestation, alcohol awareness, etc. I started watching Glee from day 1, because it was refreshing. It’s hard to watch Glee now, because they just keep shoving PSAs down our throats. There are better ways to develop a teenage character than just having them go through a traumatic experience.

        • Joe says:

          This show has turned into an abc after school special

        • Toni says:

          All this is nothing different for any high school based TV show. Shows like Degrassi are known for it. Same with old characters graduating and new characters coming in. All TV are going to evolve over time. Without change and evolution a show will get stagnant.

        • Cheri says:

          PSAs have become a weekly requirement for Glee. It is not about kids trying to find themselves and acceptance of those who are different. Last night was an example of what Glee has resulted in. A drama with little comedy and lots of music with no value with its lyrics to aid in telling the episodic stories. This was a bad episode.

    • Sue says:

      Code for: there wasn’t enough Brittana/NYC/I hate the noobs.

    • Angie says:

      What’s so disgusting about his character? And what exactly misfired?

      • LP says:

        They keep piling on these issues cause none of the newbies are catching on like they hoped. They have to manufacture problems now cause they didn’t give them personalities.

    • Camille says:

      Seriously? You see it a as a ploy for getting audiences to love the character? You don’t think Ryan and the producers wanted to just tell a real life issue for hundreds of kids. You mad because the PSA went to a character that you don’t care about. Face it -a lot of the topical issues would go to the new characters because if it was an original character it would had been addressed over the previous 80+ episodes. This was no emotional manipulation to get people to love a particular character -that is absurb and offensive to me that people actually think that. The issue was getting people to talk about how molestation of females and males are treated far different in our society. It’s a sad fact that many young guys felt the same way Artie and Sam talked in the episode when the molestation happens to a guy. Or when someone like a girl like Kitty is molested -nobody believed her. THOSE were the issues. NOT who the story ended up being addressed to. And I see since you didn’t mention Kitty at all -your bias against the Ryder character is even more telling. As you said -disgusting.

    • Ian says:

      It’s sad that people can’t see the clear emotional manipulation the writers use to trick people into thinking its good writing. It’s not good writing. It’s god awful writing. It’s emotionally jarring and conflicts with the mostly goofy ridiculousness of the show. Their portrayals of serious issues are never sincere or real, instead they are treated with haste and they morph characters into whoever they want them to be to correspond with the issue despite the fact that it has nothing to do with true character development or relevancy to the plot. It’s honestly sad to see that people are so blinded by it.

    • Ruby says:

      You really need to just leave and watch a different show.

  3. Libby says:

    Sam. MVP.

    • Vanessa says:

      Which part did you enjoy, the outburst about his poverty that was clearly unwarranted or the fact that he thought Ryder should have found being molested awesome? Give me a break.

    • babs says:

      Chord is too awful of a singer and actor to ever be an MVP.

    • Drew says:

      I’ve really enjoyed Sam’s character this year, but other than his song at the beginning he did not come off well in this episode. In fact he was kind of a knob! Sam got downgraded in this episode for me. Horny, dumb and insensitive in my opinion for this one.

      • I agree with you about him being horny/insensitive in this episode, but I still love the character. He’s usually the opposite and is frequently the first one of the glee kids to reach out to new members (Rory and Marley) or ones in crisis (Blaine and Brittany). It’s a shame to see him reduced to this just to put that “common” perspective out there in the dialogue.

  4. g says:

    At the Balley was one of the most boring things I’ve ever seen in a TV show….

  5. Mal says:

    I wish that Glee would have done the spin off idea… The New York storyline has all of the story and most if the talent. “At the Ballet” was ridiculously good and the baby versions of these characters left at McKinley can’t hold a candle to Colfer, Michele, and Rivera. Plus, I’m totally over the writers throwing these random and disjointed curve balls to get the viewers to care about the McKinley storyline. No more school shooting scares, no random molestetion victims. Just give me the crazy chemistry and talent of New York!

  6. Elliott says:

    I thought the twist might be that Sam and Artie had also been molested by the same babysitter. Their reaction to Ryder’s confession was repellent. He was 11 years old when it happened to him. If he was 14 or 15 at the time I’d understand their sophomoric take on it…maybe. But he was 11.

    • Sue says:

      As disturbing as their reaction was, it’s a common one I’m sorry to say.

      • Eli says:

        No it’s not. If it happens to an adult or an older teenager I agree that it is way too common. But I’ve rarely seen anyone react that way when it concerns an actual child of 11. I can’t even imagine anyone I know responding that way. It was just another Glee moment of someone saying something really offensive completely out of character just so Ryan Murphy can tell us how mean heterosexual men are.

      • GleeFan says:

        Sue’s right. Even Mr. Schu’s reaction was spot on. It looked like they glossed over it, because they did… The issue of male sexual abuse is a touchy subject, especially with other males. They’re not comfortable with it, Basic psychological principle, we try to attribute blame to the victim, so that we ourselves don’t feel like we’re at risk. By the boys reacting they way they did, that’s what they were portraying. If they just leave it there, then yes, they’ve failed at this storyline, but i have a feeling it’s going to come back around. Either Blake will have a meltdown, and everyone will realize how wrong they were, or else Mr Schu will spend some time thinking about it and feel like he has to come back and apologize and teach everyone a lesson.

    • Missy says:

      That is why it was an offensive and tasteless storyline. Ryan Murphy just showed that throwing another serious story for 1 character into 1 episode is lazy writing. Both were halfway told. They start the catfish story but let it hang for no good reason.

  7. Ron says:

    Blake Jenner and his character are the worst thing to happen to the show. I’d take the boring Irish kid back at this point.

    • 80s says:

      I completely disagree. Blake Jenner is a real talent.

    • kavyn says:

      Said no one ever.

    • a says:

      I think he’s a talented guy, but he’s really dragging the McKinley side of the show down. Try as hard as they might, I just don’t give a crap about Ryder. No matter how many Catfishes or childhood molestations he may have to deal with. He’s just not interesting.

    • not a star says:

      He is average at best not even the worse new character but they are trying to hard to make him so big star or break out and it isn’t happening. The true breakouts didn’t need special attention they just got it on their own see Lea, Chris and Naya, Darren was pushed and promoted more but their tactic at least worked in the end.

      • Noel says:

        The other ” break out” stars had the revolving around them. Don’t think it’s fair to compare the two things.

    • Jeremy says:

      Didn’t like him on Glee Project, especially compared to the other two female finalists, but he is far better than Damien/Rory, Samuel/Joe, and Alex/Unique. The first two guys served no purpose before randomly disappearing, and the latter is there to continue Ryan Murphy’s trend of increasing the “out” gay population in a Midwestern high school to further unrealistic levels.

    • Ruby says:

      Shut up. Seriously.

    • JP says:

      Blake is FAR better than Sam and Damian. The fact that Damian is completely gone and Samuel hasn’t been on in weeks just further proves it. TGP season 2 cast far out performs the season 1 cast. It’s a shame that Ryan casted so many of TGP1 people who pretty much ruined the show and only gave Blake and Aly a shot from TGP2. Aylin would have been a fresh addition to this cast and wayyyyy more interesting then Samuel, Alex, Damian, and Lindsey combined. It seems like Lindsey’s diva issues with Lea and the extreme boringness of Damian and Samuel ruined it for TGP2 cast. The only worth saving from TGP1 is Alex and that is only because he can sing. Unique really doesn’t bring much to the table besides that and the fact that Ryan gets to write for a transgender. The countless Mercedes jokes further proves the point that Alex is only there for his voice.

  8. Jenny says:

    I thought this was one of the worst episodes of Glee. It made no sense and was boring.

  9. Nicole says:

    At the ballet, Santana & Little Santana were the best things of this episode.

  10. CMG says:

    Episodes like “Shooting Star” reminded me why I watched Glee in the first place. Episodes like this one reminded me why I stopped.

    Apparently, McKinley High is now either in the Arctic Circle where it is dark during the day, or it’s a night school, because those are the only explanations I can come up with for why a school that apparently has windows would be pitch black during a power outage. This blackout either lasted over two days, or it is night school and they allow their students to take a break and head over to Breadstix in the middle. This school that suddenly implemented tough security after the shooting has apparently no problem allowing the teacher that ostensibly fired the gun to wander around the campus after being fired.

    As far as the NY segments, that “At the Ballet” was the longest, dullest, most drawn out song/performance segment the show has ever done. I wandered off to get dinner, came back, and the song was STILL GOING.

    • Derik says:

      Yeah, my partner and I spent the whole episode going, “Just open the blinds! We can see the windows and there is light outside them!” There was a whole lotta what? in this episode

      • Missy says:

        There is an outside scene where Sue is at a football stadium and in the background is the HOLLYWOOD sign on the big hill above LA. Poor editing. Lazy writing.

    • Angela says:

      Apparently, McKinley High is now either in the Arctic Circle where it is dark during the day, or it’s a night school, because those are the only explanations I can come up with for why a school that apparently has windows would be pitch black during a power outage.

      Hahaha, I love this :D. Excellent point.
      And gotta agree on the “Ballet” performance, too. Pretty, in a way, but still…meh.

    • dan says:

      Completely agree! And Ryan Murphy wrote this episode…someone needs to revoke his membership in the Writers’ Guild.

    • JP says:

      I disagree about “At the Ballet”. Yes it was EXTREMELY boring, but there has been worse. Like Kurt’s song after he re-joined New Directions in season 2. Now that was the most drawn out performance of the entire show. I love Chris Colfer, but watching him sing that full song for 4+ minutes just standing there was the most boring thing ever. To this day, that is the only performance of Glee that I always fast forward through when I rewatch episodes on my DVDs.

  11. JVC says:

    I can’t be the only one wondering where the heck Finn was at? Didn’t they say that this was his last episode? Was bummed not seeing him. With that said, I enjoyed seeing blake get a good story this episode, but was going WTF at the way artie and sam were reacting to that. Sadly that can be the mindset boys have, but I expected more from the seniors of new directions. I wonder if it’s worth it to know who this girl is chatting with ryder, cause i can kinda get behind ryder and kitty getting together, and it was great to finally give a reason to warm up to kitty.

  12. JMS says:

    I like ” At the Ballet” in A CHORUS LINE, but on Glee, I thought it was too long. I thought they should have modified it a bit. I did drift off after a while. I thought the molestation storyline was out of the blue and really trivialized, I absolutely HATED Artie and Sam’s reaction and thought that if they were going to have their reactions that way, there should have been some education surrounding that later. I thought the episode was all over the place. Unplugged, but not really. I need for Glee to get some glee about it again. I can’t remember the last time I laughed at something. I happened to look at some episodes from seasons 1 and 2 and was so happy remembering how great it was at the beginning. It has nothing to do with the new vs old cast (even though I absolutely miss Mercedes and can’t wait for next week), but the quality of the show has extremely deteriorated. This is all just my opinion, of course.

  13. bbl says:

    Frida Romero: “The Star-Spangled Banner” (Snippet) | Grade: A+

  14. JB says:

    Very unrealistic slow paced episode and the catfishing story line is really getting old at this point . . . . See ya in Season 5 ~ maybe . . .

  15. TB says:

    Horrible episode with the exception of NYC. Too much time spent in Lima. Characters and stories for Lima are not interesting. No mention of Finn was just bad. I understand they cut his scenes but they could have explained his absence.

  16. fred says:

    Oh my god the new york is better crowd is just a bunch of broadway geeks that would say the same thing week in and week out That number was boring and way too long and the stunt casting sarah jessica parker is just that stunt casting and no amount of stunt casting is going to make me watch smash lite.Glee was never about broadway it was a show about a high school glee club introducing kids to the arts and in that way transforming a life. Finn was the best example of that till this season where he is not good enough to get a performance storyline a shame because a play like on the waterfront or streetcar named desire could fit his character and get glee off the itunes machine it is on and reduce the number of songs and bring back good acting but sadly nope he is now a clipboard holder what a waste Hey here comes the stunt casting full blast with the idol singer who cannot act coming on board next week and kate hudson reprising the role of broadway sue sylvester if that is not enough for you guess what it looks like this school year gets to be dragged into next season something that ryan murphy could have done last season to a much better degree of success This season of glee has to be the worst piece of stallling and stale storylines in the history of a once successful show this makes heros on nbc look good.

  17. Angel says:

    The catfish storyline is so boring…..I think Kitty really wanted to get to know Ryder, and he just blew her off for some stupid internet thing…seriously he is a moron to be so engrossed in the internet fantasy as Kitty put it. I normally don’t like Kitty, but the last couple episodes she has had some improvement. My big question was “Where the hell is Brittney?” I personally liked the “At the Ballet” song, I thought it was nice song to blend all of those singers together. Yes it was long, but it had a purpose for the Santana storyline tonight. I also thought the “We Will Rock You” take was pretty sweet, using the different regular day items as the instruments. My high school choir did “For the Longest Time” when I was a member, with 200 plus voices, and my choir director did his own arrangement, and maybe I am biased, but we sounded so much better. Marley didn’t need to the extra runs in that song, it ruined the simplicity of it.

    • RichieS says:

      Where is Brittney? I think she went to find Sam and Sugar. But seriously, isn’t Heather pregnant? Must be difficult to do those dance moves in her condition.

      • Angel says:

        There wasn’t a lot of dancing in this episode. For the Longest Time featured standard basic show choir moves, that she could’ve done easily. Just saying….and you’re right…Sugar was missing too. Maybe they are vacationing together or something….none the less Bring back Brit!

      • Ruby says:

        Sometimes actors miss episodes because they’ve got something else going on. It’s been happening since TV was invented. Also, Santa Claus isn’t real.

      • JP says:

        Heather is pregnant and showing hence the reason why she isn’t in as many episodes. They are only putting her in episodes where they 100% have to like Regionals. There was no need for her to be in this episode. That cheerio uniform probably wont fit too well considering she’s showing quite a bit. All Glee needs is another pregnancy storyline but this time it would be the bi-sexual cheerleader who miraculously gets in to MIT despite the fact that she failed HS already.

  18. Angel says:

    Michael you forgot a musical number: “Little Girls” that Sue did, our preview of Jane Lynch playing Mrs. Hannigan in Annie. She debuts May 16th if anyone cares.

  19. Quick correction Michael (or half-correction): The song at Sue’s aerobics thing wasn’t really a remix of Steve Winwood’s “Valerie.” It’s “Call on Me” by Eric Prydz, for which Winwood actually re-recorded his vocals. The music video is pretty well-known for its, shall we say, extremely suggestive aerobics visuals.

  20. Josh says:

    I think Kitty is” Katie” she was getting pissy at the end cause she likes him and he pays more attention to” Katie”

    • JP says:

      Kitty can’t be Katie. Katie was talking to Ryder half a second after Kitty walked away from him. It’s not plausible. My guess is Unique. It could also be someone who hasn’t been on in a while like Sugar. Kitty also had her phone in her hand (they showed it) in the choir room when Ryder called “Katie” while the phone going off was in someone’s bag.

  21. Rod says:

    At the Ballet is one of my least favorite numbers from “A Chorus Line” so that number, in spite of the vocals, was lackluster for me. Also disappointed in the reaction by Sam and Artie about Ryder and Schue’s weak handling of the situation, but it did reflect how some people in authority have sadly reacted, but it was out of character for him. By the way, did anyone notice Britany was not in the episode? And will Joe and Sugar ever return?

    • Bec says:

      Then you would have had Schue getting angrier when shutting down Sam and Artie, which would have led to some viewers commenting he was being mean, so the guy can’t win. It may have been more interesting to have it play out with Ryder putting on a brave face, all the while knowing the close friends he had just confided in, and hoped would offer some sympathy after his having secretly suffered for years, were never going to understand the painful impact the molestation had on him.

      I can’t remember too many other shows where characters keep disappearing from a classroom without explanation – those “Asian flu” cases should have been cured by now. What was really noticeable was Emma being absent after the gun incident, but Jayma may have had another project to work on (one can only hope she’s better appreciated elsewhere.)

  22. Jaymes says:

    At the Ballet started really good and then it got really really boring.. it was so long! Nothing made sense in this episode. It was like 10 shows mashed together. They brought up Ryder & Kitty being molested then dropped it like it never happened! We Will Rock You was pointless but at least Blaines line got cut.:) The only thing i like in this episode was Kitty and i don’t even like her that much!

    • Glacial says:

      Me too, i don’t like Kitty but her moments were the only good ones and made sense in the episode. Better luck next time, glee!

  23. Et. Al says:

    I must like Chorus Line too much. While some of the children here are complaining it was too long, I was sad by how cut it was, lol.

  24. Allyson says:

    If there was a blackout, wouldn’t school be cancelled for the day? How can you teach in those conditions? I don’t understand why they had the blinds covering the windows. You know the last place anyone want to be is in a dark school especially after a gun scare a couple of episodes ago. I mean really? Oh that is right, this is not a realistic school, it is a fantasy school. Now it was a good episode despite the whole window issue. I like learning more about Ryder and Kitty and their pasts. Apparently Kitty has a soft side. Of course can’t get enough of Rachel, Kurt, and Santana in New York. It was great to see Sarah Jessica Parker back. Now, I am just waiting for Finn and Rachel to get back together and I will be happy.

  25. DavidSask says:

    Another special episode so unbelievable, I don’t know how this show got 2 more seasons syndication or not? The show should just be given to ABC and become their old afternoon kids specials.

  26. Debra says:

    I agree that I don’t like being emotionally manipulated by the writers because they won’t admit that the newbies will never be as interesting as the original kids that I fell in love with. It has felt like they have been trying to shove them down our throats with various different methods like this one and others and it is really getting old, real fast. I also think that Will could have been tougher on Sam and Artie because two characters that I normally like made me want to reach through my TV and smack some sense into both of them.

    Another thing that was irritating as all get out was the fact that in the final episode where Cory filmed scenes, they cut him out of the episode completely.

  27. twnkltoze says:

    I’m not a regular “Glee” watcher but happened to have it on last night because I knew SJP came from a musical background yet had never heard her actually sing. So glad I did. Hearing “At the Ballet”, one of my favorite songs from my all time favorite Broadway musical, “A Chorus Line” was wonderful. It was done beautifully. Great job!

  28. gipsy says:

    I thought the episode was pretty good. I loved the NY storyline and following Santana’s journey. Lima was … Lima.

  29. mj says:

    What was up with Sam and Artie’s reaction. It was absolutely ridiculous.

  30. J says:

    Anyone notice Blaine & the dude in the aerobics class?

  31. Carmen says:

    I really enjoyed the NYC story and “At the Ballet”. i was reminded not only of my own childhood as a little ballerina and musical performer but of the life-long positive effects the arts have had on me. No matter what happened as a child or as i grew older, nothing could take away the experienced-based knowledge of the creativity and beauty that we all carry inside. The lyrics of the song conveyed that message and Naya Rivera’s performance of Santana’s epiphany (so reflective and gentle and to be treasured) was stunning. I thought that SJP and the children shone as well. Would have liked to have seen more of Kurt and Rachel–especially Kurt. How is Kurt doing? What is going on at school and at work and in his personal life? I hope season 5 give Chris Colfer more screen time.

  32. Shawn says:

    kitty definitely has to be Katie. In the end there in the library Katie had to leave for a minute and kitty comes right over and is back as soon as kitty leaves. She probably told him to tell glee club about being molested so that she could open up to him about it as well in person rather than over the computer as an alter ego. Maybe this is wishful thinking or giving the writers too much credit that they are actually building up to things but I can see a pretty decent background for kitty explaining why she is mean and have her turn around and be nicer. I will say though that it seems like they keep piling things onto Ryder/ Blake to make people care about his character. So far we have him being dyslexic, cat fished and molested. positive is that Blake is a good actor so he can handle whatever they throw at him. also is anyone else loving Becky this season. I don’t necessarily like that they had her be the one who brought the gun to school but she is a great actress and is probably one of glees most interesting characters.

  33. Caro says:

    Loved Rachel, Santana, Kurt and SJP! The rest of the ep was a waste!

  34. CultureVulture says:

    I wonder if this was the week Heather Morris found out she was pregnant – Brittany’s absence was very noticable!

    • JP says:

      Heather is at least 3 months pregnant and this episode was filmed 2-3 weeks ago. This was filmed around the time her pregnancy went public and right before Cory entered rehab.

  35. Not a hater says:

    All the actors on Glee are doing great jobs. Its not a newbies versus old guard competition, you all need to let that go. High School kids graduate, new ones come in – that helps to keep things fresh. If you don’t like the new kids or the new scripts, go watch your DVDs of Season 1 over and over and stop watching the new episodes. Any show set around a high school can’t keep the original kids in the choir room until they are 50. I appreciate the new blood and glad we still follow the stories of the graduates.

    What’s exciting is to see a new talent like Blake Jenner, who has shown stronger acting chops than previous Glee Project winners Samuel Larsen and Damian McGinty, really shine and handle tough material. Samuel and Damian are both really charming and can sing, but they didn’t get big storylines because they are still very green in the acting world.

    Yes, Blake is easy on the eyes. He has a nice voice, can dance, and can act (yes haters, he can act). What I do know is that Blake hasn’t yet been able to show his comedic side. He has taken many levels of improv classes with the Groundlings, teaches improv, and performed with the Groundlings main cast as a special guest recently. Did you know that Blake was recently signed by CAA, which is a big time agency that represents only the best (Tom Hanks, Julia Roberts to name but two)? Hollywood likes him, so haters, you are just going to have to deal.

    Its nice to see a motivated young man (he graduated early from high school so he could move to LA to give acting a real shot) after living on ramen and getting so many rejections, get his chance and really be a breakout performer on Glee.

    This is an ensemble show – we should appreciate everyone (old guard and new) for what they bring to Glee and stop comparing them to one another. Isn’t the show about acceptance? Then some of you need to learn that lesson.

    • Dee says:

      Terrific comment. I agree. The show is about the GLEE club not about NYADA, etc. I love seeing the original NDs, but they graduated. Blake is wonderful. So are Jacob Artist, Melissa Benoist, Becca Tobin, and Alex Newell.

  36. rossy says:

    It’s funny how many people are talking about the brilliance of Colfer, Michele and Rivera when virtually all of the New York scenes this week were focused on Santana and Kurt’s Vogue mentor. I feel like I haven’t seen Kurt do much this season other than give his girlfriends pep talks, have a very uncomfortable Christmas dinner with Blaine, and look bored to death with his new guy. I want to like that side of the show, but they need to stop with all the SJP and Kate Hudson and just let the familiar characters have some breathing room.
    Ryan seems determined to make a big portion of the fans hate Chord Overstreet. First splitting up the Brittana relationship, now having Sam say tasteless things about trauma survivors. I guess this means we won’t be seeing Sam in Ohio next year. Too bad, because his chemistry with Blaine is one of the few fun, high-energy things happening this year.

  37. Vetle says:

    Uhm, I’m just wondering… where is Joe? Or Sugar?

    They can’t just come back during regionals and have all their songs and numbers down. :p

  38. A says:

    I wish they would make it believable that the kids actually knew half the songs they are singing.

  39. Ross says:

    Glee is starting to become a soap opera version of High School Musical. Nothing is working, neither side is appealing and although I have an attachment for the old characters, even that is not keeping me from switching channels. I’ll give Season 5, three episodes to hold my interest.

    • Dee says:

      It’s better than the endless Quinn-Finn-Rachel triangle in Season 2. The newbies are terrific and most of the old cast is still appearing. The music is always going to be the best reason to watch and that’s as good as ever.

  40. Miranda says:

    At the Ballet was the snooziest of them all and it gets A+ LOL. we get it, TVLine, you like the NY gang. I give it a meh instead.

  41. July says:

    Rly people? Glee Project sucks, the first season was okay but the second? Urgh, Blake Jenner has nothing to offer unless good acting skills, his voice sucks hard. And he even auditioned for a role in the show before… so, if they just wanted to give someone a part in the show to portray a naive yet ridiculous dyslexic boy, why do a Glee Project for that? Why raises the hope of 11 other kids if they could find a good actor by opening big auditions for the show? Blake sucks, that’s it. He has great acting skills? Yeah, but nothing else. Alex and Lindsay, previous runner-ups, were far more interesting than Blake, and even the previous winners Damian and Samuel. Look at Ryder’s songs? All boring, the ones that makes you sleep. Really? Glee Project was supposed to bring inspiring people to the show, like the writers and RM said himself, it’s not about who’s the best singer, actor or dancer. It’s who inspire them. And believe me, ANYONE in that join had a better background storyline than Blake has and that his character brought to the show.

    • Dee says:

      That must explain why the actual crew members of Glee-Robert, Nicki, Zach, and Eric-were so high on Blake-right? NOT! His singing and dancing have improved greatly and he was the most talented actor of all the contestants. I picked him to win even tho Charlie was my favorite. Either you have sour grapes because your favorite lost or you’re not a good judge of who could’ve stepped into a large ensemble cast easily. Blake’s professionalism was a major factor in why the mentors wanted him.

  42. transports says:

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  43. Dee says:

    Ryan Murphy has said that one of his biggest influences re: television is producer Norman Lear whose ’70s sitcoms “All in the Family” and “Maude” frequently dealt with political and social issues. I don’t think that “Glee” should be classified as a Comedy, anymore. I call it a musical dramedy. It is a good thing for the series to address the social issues that it does and to try to reach out to teens and to the parents who watch the episodes with them.