Who runs the world? Beyoncé, of course.
The “Single Ladies” singer promised in a press conference leading up to her performance at the Super Bowl XLVII Halftime Show (AKA “The Beyonce Bootylicious Mini-Concert, Brought to You by Some Football Game”) that she was “well-rehearsed” and would “absolutely” be singing live. Not only did she live up to her promises, but she did so while executing the kind of beastly/eye-popping choreography few of her contemporaries would attempt without the promise of an oxygen mask descending from the ceiling. Granted, there may not have been a ton of actual vocalizing, but the show-closing “Halo” was powerful and totally in tune, and the mid-set emegence of Destiny’s Child cohorts Michelle Williams and Kelly Rowland was a squee-worthy (if expected) delight.
If I had any complaint, it’s that I could’ve used an extra two or three minutes of the good stuff: “Survivor,” “Run the World (Girls),” “Jumpin’ Jumpin’” and “Get Me Bodied” were especially missed. And how come Bey chose to use a pre-recorded version of Sean Paul’s rap on “Baby Boy” when you know dude woulda shown up and done his part if asked? Also: No Jay Z? No Dreamgirls costar Jennifer Hudson (who was already in the house)? No Solange? (Okay, maybe I’m the only one obsessed with Beyoncé’s little sis. Watch this YouTube video, though, and you will be, too.) Either way, there wasn’t much in the way of special guests.
But let’s go back to the beginning: Dressed in a draped black leather minisdress (that was eventually and quickly reduced to a bustier/bathing suit with black lace skirt), Beyoncé began smack in the center of the New Orleans Superdome (against a gigantic flaming silhouette of her bodacious frame), belting “Love on Top” in the process. The performance included heavy use of a shiny black backdrop and floor, which were used to project various graphic images and holographs (especially nifty for the at-home viewer). From there, her ferocious setlist was as follows:
“Crazy in Love” (complete with the signature “uh-oh, uh-oh, uh-oh, oh-no-no” dance — yes!)
“Till the End of Time” (loved the “Blue Steel” Beyoncé served at the end)
“Baby Boy” (way to smash the imaginary glass with one’s badonkadonk!)
“Bootylicious” (When Kelly and Michelle from Destiny’s Child popped out of the stage floor to join the festivities, I will admit that I seal clapped and howled with delight. “I DON’T THINK THEY CAN HANDLE THIS!”)
“Indepedent Women” (another must-include number that allowed Beyoncé to share the vocals)
“Single Ladies” (with at least 100 backup dancers mimicking Bey’s every move and an ad-libbed “Where my ring?” that made me guffaw)
“Halo” (the Lady Knowles’ strongest vocal of the night, growly and intense!)
With that, I pass the baton to you. What did you think of Beyoncé’s Halftime Show performance? How did it compare to Madonna’s extravanagnza from last year’s Super Bowl XLVI? Take our poll below, then hit the comments and expand on your thoughts. And come back to TVLine after the game and tomorrow morning for all your Super Bowl pop-cultural recapping needs!