Fuller House: Aunt Becky Exit 
Quotes of the Week for March 
American Idol Season 17: Top
1 of 21
21 TV Favorites: When Should They Have Ended?
7TH HEAVEN
If you tuned in for 7th Heaven's "miracle" 11th season on The CW — The WB had heavily touted the Season 10 finale as a series finale, mind you — then we assume you're already nodding your head in silent agreement. Highlights included: Ruthie being detained as a potential terrorist, Lucy suffering a miscarriage and Eric having multiple brushes with death. (A bizarrely fascinating Internet theory suggests that he actually did die, but we'll save that for another gallery.)
13 REASONS WHY
Netflix’s edgy teen drama had a perfectly natural stopping point after a single season — we heard all 13 reasons! — but then inexplicably dragged on for two more seasons… and counting.
ANGEL
Sure, ending the Buffy spinoff after Season 4 means we wouldn’t have gotten Cordelia’s moving swan song in “You’re Welcome” or the majesty that was Puppet Angel. But it also means we wouldn’t have had to watch the lean, tight group from Angel Investigations morph into a fractured, corporate mess whose separate storylines and in-fighting bore little resemblance to the gang that so captivatingly helped the helpless back in the day.
AWKWARD
Under the watchful eye of series creator Lauren Iungerich, the first three seasons of this MTV dramedy spun a dark, funny, sophisticated tale of a girl desperate to find her voice — and herself — in high school. Everything that followed felt like well-intended fan fiction, in which complex characters we once loved were reduced to unrecognizable caricatures.
BUFFY, THE VAMPIRE SLAYER
Buffy the Vampire Slayer's legacy will always be strong, but it’s unfortunate that the seminal series came to a close with the lackluster season of the slayerettes, aka Season 7. While Season 6 produced some of the cult fave’s best episodes (“Once More, With Feeling,” “Tabula Rasa,” “Normal Again”), there’s no denying that Season 5’s finale, “The Gift,” — which felt like (and certainly could’ve served as) a series finale — would have made a very fitting ending.
CASTLE
Gosh, remember how great things were going in Season 6? Until… that fiery finale. The ABC drama would have been (much) better served to follow through on that Hamptons wedding (and without green screen) and promise us "Happily ever after," and in doing so save us from Hollander's Woods, NotJenkins, dengue fever and, oof, LokSat.
CHARMED
After being all but cancelled by The WB, Charmed's eleventh-hour Season 8 renewal felt like a gift. But if we'd known what that gift would turn out to be — 22 episodes mostly focused on Kaley Cuoco's quest for her long-lost sister — we would've tried to return it.
DEXTER
At its best, the Showtime drama was a stunning examination inside the mind of a psychopath, rich with complex characters and top-notch performances. At its worst? The series found itself lost in a web of meandering plotlines, and Dexter’s transformation from world-class antihero to bearded lumberjack (?!) was among TV’s most disappointing character journeys. Had the show ended after Season 4 — which featured the riveting Trinity Killer arc — it would have gone out on a high note, instead of earning a reputation as a massively polarizing, but ultimately unsatisfying, series.
GLEE
We're not entirely convinced that Season 6 of Glee — in which Rachel and Kurt (temporarily) gave up on their big city dreams to teach a new group of randos at McKinley — wasn't a collective fever dream, especially given that Season 5 ended on such a hopeful note. (Just look at that fourth wall-shattering smize Rachel gave in the final moments of the Season 5 finale. She was ready, and so were we.)
THE GOOD WIFE
Imagine if The Good Wife had pulled the plug after the Season 5 finale — with Florrick-Agos still chugging along in its ramshackle offices, Alicia and Cary considering Diane’s offer to board their ship, and Eli unexpectedly asking Alicia if she’d ever run for State’s Attorney. We’d never have had to suffer through Alicia’s ultimately futile campaign storyline, Peter’s hard-to-fathom presidential run and (worst of all) Kaliciagate. And the legacy of Robert and Michelle King’s brilliant legal drama wouldn’t have even a spot of tarnish to blunt its spectacular gleam.
FALCON CREST
The classic CBS soap hit a glorious creative peak in its sixth and seventh seasons under visionary showrunner Jeff Freilich. But shortly after the thrilling Season 7 finale aired, the network fired Freilich and brought in a new regime whose first order of business was to make the show an unwatchable bore. Angela Channing & Co. hung on until Season 9, which was two seasons longer than us.
HAPPY DAYS
Though the instinct may be to declare the end of Days prior to Season 5, in which a waterskiing Fonzie indeed "jumps the shark," not only would you miss out on that pop culture touchstone, you'd also never meet Mork. Rather, the close of Season 7 — shortly after Arnold's burns down, paving the way for that bizarre Western-themed makeover — is a better time to bid Richie adieu, especially since that marked Ron Howard's exit as a series regular (and with four seasons left to go!).
HOUSE
Crashing a car into Cuddy’s living room was House's jump-the-shark moment. Everything that followed in Season 8, including House’s prison stint, his marriage to Dominika and his decision to fake his own death to spend more time with a dying Wilson felt like the show embracing the worst possible version of its protagonist after seven seasons of trying to make him a better man.
HOW I MET YOUR MOTHER
The past-its-prime sitcom made a mistake having all 24 Season 9 episodes take place in one three-day vacuum. The 22 episodes leading up to Barney and Robin’s “I do’s” felt pointless in the wake of their series-ending divorce, and spending so much time getting to know Tracy was ultimately a mistake since the writers saw Ted and Robin as endgame. Flash-forwards to events taking place between 2013 and 2030, as well as Tracy’s introduction, could have easily been sprinkled throughout the back half of the superior Season 8, allowing the show to go out with some modicum of dignity.
MELROSE PLACE
Darren Star’s Fox sudser found its bitchy voice in its first season as soon as it made a permanent “special guest star” of Heather Locklear as mini-skirted she-devil Amanda Woodward. But it should have shut up four seasons later, when the show lost not only the other members of her coven — Marcia Cross (Kimberly) and Laura Leighton (Sydney) — but also three original cast members. After that, the series — not to mention the apartment complex — began to feel like it was populated by strangers and temps.
ONCE UPON A TIME
Seeing as the show’s creators admittedly used their long-envisioned series finale to end Season 6 — replete with an emotionally magical montage that signaled a “happy beginning” for one and all (see photo) — the “requel” (reboot/sequel) season that followed couldn’t help but feel “tacked on.” Even the feel-good, guest star-studded, series-ending coronation of Good Queen Regina couldn’t offset the tsunami of new characters/cursed alters we were challenged to keep track of for the 20 episodes prior.
REVENGE
Just saying, Emily and Victoria's feud would have made a really terrific 22-episode miniseries.
SCRUBS
The eighth season of the beloved sitcom was not only its best in years, but closed with a pitch-perfect series finale that put a meaningful cap on John Dorian’s journey from naive med school grad to confident MD. Needless to say, we weren’t too thrilled with the revamped Season 9, in which Sacred Heart’s finest were suddenly med school professors and J.D. was once again in desperate need of Dr. Cox’s approval.
THAT '70S SHOW
With Ashton Kutcher’s Kelso largely out of the picture, the Powers That Be were left to burn what remained of their audience courtesy of new addition Josh Meyers. The introduction of Cousin Oliver Randy, who was meant to fill the void left by Kutcher and Topher Grace, was just one detriment to an eighth and final season that also thought a Jackie and Fez relationship was a good idea. Long before Eric’s reunion with Donna in the series finale, we were more than ready to bid this comedy a “good day!”
TRUE BLOOD
Vampire Tara. Bill's death. Whatever that ridiculous smoke monster was supposed to be. Those are just a few of the major missteps that could have been avoided had True Blood ended after its fourth season — more specifically, after Sookie's chose herself over her supernatural suitors. Sure, that means we'd never get the infamous Eric/Jason hookup in Season 7, but at least the series would have met its True Death with dignity.
WEEDS
Nancy Botwin semi-casually rolling out of Majestic-Agrestic on a segway, moments after burning down her house, would have made for a perfect series-ending moment. Instead, Nancy's displaced clan soldiered on, bouncing from one ridiculous storyline to another — even for Weeds — until those "little boxes on the hillside" were but a distant, wonderful memory.
Image: Courtesy of CBS Television Distribution
Image: Courtesy of Netflix
Image: Courtesy of 20th Television
Image: Courtesy of MTV
Image: Courtesy of 20th Television
Image: Courtesy of Disney–ABC Domestic Television
Image: Courtesy of CBS Paramount Network Television
Image: Courtesy of Showtime
Image: Courtesy of 20th Television
Image: Courtesy of CBS
Image: Courtesy of Warner Bros. Television
Image: Courtesy of CBS Television Distribution
Image: Courtesy of NBCUniversal Television Distribution
Image: Courtesy of 20th Television
Image: Courtesy of CBS Television Distribution
Image: Courtesy of ABC
Image: Courtesy of Disney–ABC Domestic Television
Image: Courtesy of Disney–ABC Domestic Television
Image: Courtesy of Mill Creek Entertainment
Image: Courtesy of HBO
Image: Courtesy of Showtime
