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Will Ferrell's The Hawk Vs. Owen Wilson's Stick: Which Golf Comedy Scores A Birdie — and Which Belongs In The Bunker?
Which golf comedy is more worthy of your time: The Hawk or Stick?
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The Five Star Weekend Review: Jennifer Garner Hosts A Wine Mom Getaway That's More Mild Than Wild
Peacock’s The Five Star Weekend looks like another juicy Wine Mom Mystery, but it doesn’t deliver enough drama to get us hooked — read our review.
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Elle Review: Prime Video's Legally Blonde Prequel Is Cute, But Doesn't Quite Pass The Bar
Prime Video's Legally Blonde prequel Elle has some clever moments, but it lacks the magic that made the Reese Witherspoon original great — read our review.
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Life, Larry And The Pursuit Of Unhappiness Review: Larry David Gives Us A Lazy History Lesson Full Of Recycled Jokes
Larry David’s HBO sketch comedy Life, Larry and the Pursuit of Unhappiness saddles an all-star cast with flimsy material and recycled jokes — read our review.
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X-Men '97 Review: Season 2 Revisits Apocalypse's Epic Story With Heart, Purpose, And Satisfying Surprises
X-Men '97 returns July 1 with a second season that explores the past, present, and future of Apocalypse with world-altering consequences. Read TVLine's review.
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Cape Fear Review: A Riveting Javier Bardem Keeps Apple TV's Shaky Adaptation Afloat
Javier Bardem is incredible as Max Cady, but Apple TV’s new Cape Fear is a mixed bag, stretching its plot too thin with ridiculous twists — read our review.
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Spider-Noir Review: Nicolas Cage Spins A Tribute To Film Noir That Gets Stuck In Homage
A boldly bizarre mash-up of film noir and comic book action, Spider-Noir gives us too little substance along with all the style — read our review.
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Maximum Pleasure Guaranteed Review: Tatiana Maslany Brings A Vital Spark To Apple TV's Clever Thriller
Apple TV’s Maximum Pleasure Guaranteed taps into Tatiana Maslany’s considerable skills, mixing laughs with heart-pounding thrills — read our review.
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Dutton Ranch Review: Beth And Rip Return In A Spin-Off Worthy Of The Yellowstone Name
Yellowstone's Beth and Rip return in Dutton Ranch, premiering Friday on Paramount+ and Paramount Network. But is it worth your time? Read TVLine's full review.
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BEEF Season 2 Review: Netflix's Anthology Turns Up The Heat With A Searing Sophomore Run
Netflix’s BEEF comes back strong with a stunning Season 2, packed with thought-provoking twists and powerful performances — read our review.
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Malcolm In The Middle Review: Hulu's Messy Family Reunion Struggles To Recapture The Original's Zing
Review: With too many new characters and not enough family togetherness, Hulu’s Malcolm in the Middle revival can’t recreate the anarchic thrill of the original.
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The Peaky Blinders Movie Brings Tommy Shelby's Story To A Fitting Close — Read Our Review, And Grade It!
The Peaky Blinders movie is a must-watch for fans, wrapping up Tommy Shelby’s story in grandly satisfying fashion — read our review, and grade it in our poll.
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Imperfect Women Review: Apple TV Serves Up A Glossy But Compelling Wine Mom Mystery
Imperfect Women spins a riveting mystery straight out of the Big Little Lies playbook, boosted by strong performances and surprising depth — read our review.
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Oscars 2026: The Best And Worst Moments
TVLine reviews the best and worst moments from the 2026 Academy Awards hosted by Conan O'Brien.
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The Madison Review: Michelle Pfeiffer Gives Good Grief In Taylor Sheridan's Portrait Of Love And Loss — Grade It!
Michelle Pfeiffer takes viewers on an emotional journey via The Madison, now streaming on Paramount+. Read our thoughts, then weigh in with your own review.
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Scarpetta Review: Nicole Kidman's Gory Crime Procedural Is Too Dull To Draw Blood
Scarpetta has serious star power but disappoints as a crime procedural, with a bland mystery and an overstuffed narrative — read our review.
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Vladimir Review: Netflix's Tepid Sex Comedy Is More Smug Than Smut — Now, YOU Grade It!
Netflix’s Vladimir promises a steamy forbidden romance, but it fails to deliver, bogged down by curdled cynicism and tired clichés — read TVLine's review.
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Scrubs Review: ABC Revival Taps Into What Made The Early Seasons Special Without Coasting On Nostalgia
TVLine’s Ryan Schwartz calls ABC's Scrubs 'a revival with real purpose,' a J.D.-centered continuation that smartly acknowledges the passage of time.
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5 Reasons Why 30 Rock Fans Need To Check Out NBC's The Fall And Rise Of Reggie Dinkins
30 Rock fans will find a lot to love in Tracy Morgan's new NBC sitcom The Fall and Rise of Reggie Dinkins — here's why you should watch.
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Marshals Review: CBS' Yellowstone Spinoff Is A Prestige Procedural With A Dash Of Dutton
Two years after Yellowstone closed the gates to the Dutton Ranch, CBS is inviting viewers back via the Kayce-centric spinoff Marshals. Read TVLine's review.
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A Knight Of The Seven Kingdoms Review: HBO's Refreshingly Low-Stakes Spin-Off Will Cure Your Game Of Thrones Fatigue
A Knight of the Seven Kingdoms offers a refreshing antidote to Game of Thrones fatigue, with crude humor and humble humanity — read our review.
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Star Trek: Starfleet Academy Review: A Fresh-Faced Franchise Reboot Falls Into The Same Old Wormholes
Star Trek tries to get a fresh start with Starfleet Academy, but it's dogged by the same pitfalls that have hampered recent Trek — read our review.
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Will Trent Returns In Peak Form As Ramón Rodríguez Directs A Tense Season 4 Premiere (Review)
Will Trent, one of TV’s best dramas, returns in peak form, with leading man Ramón Rodríguez directing a confident and tense Season 4 premiere.
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Stranger Things Review: Season 5A Delivers Exactly What You Came For
Stranger Things is finally back at Netflix after a three-year-plus hiatus — and the final season is off to a strong start.
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Pluribus Review: Rhea Seehorn Shines In Vince Gilligan's Defiantly Weird Sci-Fi Tale
Vince Gilligan aims high with his sci-fi series Pluribus, and it mostly works, anchored by Rhea Seehorn’s dazzling performance — read our review.
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I Love LA Review: Rachel Sennott's HBO Comedy Is A Middling Portrait Of Gen Z Malaise
Rachel Sennott’s 'I Love LA' feels like a mash-up of earlier HBO comedies about young people, but it never quite finds a voice of its own — read our review.
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