Linda Cardellini delivers a knockout performance in Peacock's Crystal Lake, but there are just as many bumps in the road as there are bumps in the night.
CBS’ courtroom drama Cupertino tackles Big Tech with brains and precision, giving us an underdog story that’s easy to root for — read our review.
Maleah Joi Moon delivers a strong performance in A Different World, but the sequel series fails to rekindle what made Hillman College special — read review.
Apple TV’s Brothers squanders Matthew McConaughey and Woody Harrelson’s chemistry on lazy jokes and a distinct lack of purpose — read our review.
Review: Peter Krause's NBC drama Line of Fire misses the mark, bogged down by too much plot, not enough character, and one particularly ludicrous twist.
Mariska Hargitay's shaky stint as host kicked off a mediocre, badly paced Emmys ceremony on NBC — read our review, and grade it in our poll.
HBO’s Lanterns adds realism and humor to the superhero genre, but it get bogged down by too much comic book mythology — read our review.
Ted Lasso returns after a three-year hiatus — and an uneven Season 3. Does Season 4 justify its existence? TVLine Senior Editor Ryan Schwartz offers his review.
USA's Anna Pigeon offers beautiful scenery from our national parks, but it's thoroughly mediocre as a crime drama — read our review.
TVLine's Ryan Schwartz calls Stuart Fails to Save the Universe the most ambitious Big Bang Theory spin-off yet. Read the full review.
Which golf comedy is more worthy of your time: The Hawk or Stick?
Apple TV’s new crime drama Lucky is a pulse-pounding thrill ride, powered by a killer performance from Anya Taylor-Joy — read our review.
Peacock’s The Five Star Weekend looks like another juicy Wine Mom Mystery, but it doesn’t deliver enough drama to get us hooked — read our review.
Prime Video's Legally Blonde prequel Elle has some clever moments, but it lacks the magic that made the Reese Witherspoon original great — read our review.
Larry David’s HBO sketch comedy Life, Larry and the Pursuit of Unhappiness saddles an all-star cast with flimsy material and recycled jokes — read our review.
X-Men '97 returns July 1 with a second season that explores the past, present, and future of Apocalypse with world-altering consequences. Read TVLine's review.
Javier Bardem is incredible as Max Cady, but Apple TV’s new Cape Fear is a mixed bag, stretching its plot too thin with ridiculous twists — read our review.
A boldly bizarre mash-up of film noir and comic book action, Spider-Noir gives us too little substance along with all the style — read our review.
Apple TV’s Maximum Pleasure Guaranteed taps into Tatiana Maslany’s considerable skills, mixing laughs with heart-pounding thrills — read our review.
Yellowstone's Beth and Rip return in Dutton Ranch, premiering Friday on Paramount+ and Paramount Network. But is it worth your time? Read TVLine's full review.
Netflix’s BEEF comes back strong with a stunning Season 2, packed with thought-provoking twists and powerful performances — read our review.
Review: With too many new characters and not enough family togetherness, Hulu’s Malcolm in the Middle revival can’t recreate the anarchic thrill of the original.
The Peaky Blinders movie is a must-watch for fans, wrapping up Tommy Shelby’s story in grandly satisfying fashion — read our review, and grade it in our poll.
Imperfect Women spins a riveting mystery straight out of the Big Little Lies playbook, boosted by strong performances and surprising depth — read our review.
TVLine reviews the best and worst moments from the 2026 Academy Awards hosted by Conan O'Brien.
Michelle Pfeiffer takes viewers on an emotional journey via The Madison, now streaming on Paramount+. Read our thoughts, then weigh in with your own review.
Scarpetta has serious star power but disappoints as a crime procedural, with a bland mystery and an overstuffed narrative — read our review.
