Now, it packs a bit more punch.
“When they slaughtered Congress, we didn’t wake up. When they blamed terrorists and suspended the Constitution, we didn’t wake up then, either,” Offred, played by Mad Men‘s Elisabeth Moss, intones via voiceover. “They said it would be temporary. Nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.”
Warning: Watch even one episode of the streaming service’s incredibly well crafted new series — three episodes arrive Wednesday, April 26, then release weekly thereafter — and you’ll likely notice the water getting a degree or two warmer.
The hour-long drama takes place in the near future, after a religious-backed opposition group stages a coup and takes control of what was known as America. When the new world order is established, it takes the form of a caste society in which fertile women like Offred are deemed “handmaids,” nothing more than “two-legged wombs” forced to wear red robes, act demure and regularly bed the privileged males who run the show in an effort to subvert a severe fertility crisis.
The women are forced to quote Scripture and act subservient. They are forbidden to read or hold property. They are encouraged to report any alleged deviance to authorities, whose philosophy on punishment is decidedly Old Testament. Gays and lesbians are denounced, removed and harmed. Free speech is no longer the norm. Misinformation and obfuscation rules.
The overarching dread of The Handmaid’s Tale is that the world beyond the handmaids’ white, winged veils feels a heck of a lot like something that could, one day, play out in our own. Unsettling, no?
Blame the stellar cast, which includes Gilmore Girls‘ Alexis Bledel, Chuck‘s Yvonne Strahovski, The Leftovers‘ Ann Dowd and Orange Is the New Black‘s Samira Wiley. Blame the excellent team behind the scenes, which includes writer Bruce Miller (The 100) and director Reed Morano (Looking), who helmed the first three episodes. And while you’re at it, blame Atwood’s 1980s book, which provides plenty of rich story and serves as a jumping-off point for paths not taken in the source material.
Along the way, The Handmaid’s Tale takes its time dropping clues, doling out hints about how Offred’s reality came to be — and how its power structure might be dismantled — in the same way that Dowd’s handmaid-minder Aunt Lydia doles out corporal punishment: sporadically, yet with maximum impact. Why does The Commander (played by American Horror Story: Asylum‘s Joseph Fiennes) take an unsanctioned interest in Offred? What will become of the character who ends Episode 3 having undergone genital mutilation surgery against her will? Is Offred’s daughter, Hannah, still out there somewhere?
If there’s any drawback to the series, it’s that the realness of the writing and the relatability of the performances conspire to make the whole experience an unsettling one. In spite of that — hell, because of it — watch it anyway.
THE TVLINE BOTTOM LINE: With a superb ensemble and a disturbing premise, The Handmaid’s Tale is a riveting nightmare that’s well worth your time.
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