CSI: Miami's Adam Rodriguez Pulls Triple Duty, Says 'It's Never Too Late' for Delko/Calleigh

Adam Rodriguez didn’t merely call the shots as the director of this Sunday’s CSI: Miami (CBS, 10/9c). If we may continue the metaphor, he also manufactured the bullets, having himself written the episode in which Delko and the rest of Horatio’s team stumble upon a hunting club that preys upon scrambling humans. TVLine asked Rodriguez about flirting with that “triple threat” status as well as solicited his take on the cooled-off red-hot Delko/Calleigh dynamic.

TVLINE | This episode that you wrote and directed, it has a Most Dangerous Game flavor, yes?
That is undeniably where I got the idea from, yeah. I’ve always loved that story [by Richard Connell], I read it as a kid and it always stuck with me. I thought that sport and the sickness of it would be a cool and interesting element to bring to the show, something we haven’t seen before.

TVLINE | But as such, I imagine you gave yourself a lot of foot chases to direct.
Yeah, we had a lot of chasing going on. But we had a great second-unit director that covered some of that for me, because there are only so many hours in the day. I gotta say, it was nice not to have to be the one running for a change!

TVLINE | Oftentimes when an actor steps behind the camera, his character is a bit light in the episode. Is that the case here with Eric?
Yeah, I didn’t want to bite off more than I can chew. But the scenes that I’m in I feel are poignant, and I’m happy with the way they turned out. But those were the days my heart was pounding, when I had to act in a scene on top of watching everybody else’s performances going on.

TVLINE | Was the chance to write and/or direct something that was presented to you when you negotiated to return this season as a series regular?
It was something that I’ve always been interested in doing, and it’s been tossed around very loosely in the past, so I decided to revisit that and lock that in place, and make that one of the things that would incentivize me coming back to the show. They obliged, and I got to do it.

TVLINE | And look, you got to direct Emily Procter in her first episode back following her whole single-episode maternity leave. She’s TV’s real “wonder woman,” someone said to me.
She is unbelievable. She just wanted to get back in the saddle and work! She’s been totally gung-ho about it.

TVLINE | Tell me, what ever did happen with the Eric/Calleigh “thing” the show teased for a stretch there?
You know, it’s kind of hard to say. We’ve sort of moved past it at this point, unfortunately. Whether the whole thing went to s–t and we crashed and burned and it didn’t work out, I always felt like that would be an interesting element to bring to the show — to give the audience the chance to watch a relationship between these two great friends and coworkers blossom and come to full fruition, and then tear it down. It’s never too late, though. I’m pretty certain we’re coming back for a 10th season, so there’s always next year. I feel like people have wanted to see it for so long, but they’ve never been served a full meal of it. We’ll see what happens. Or maybe people are over it at this point? Maybe it’s time to move on and not revisit it? It’s not for me to decide.

TVLINE | And what about the season finale – have you gotten a hint of what the show is building toward? Any sort of cliffhanger?
No, I don’t know, man. I’m always the last to find this stuff out. I would love to tell you, but I have no idea!